Amboseli is one of my favourite places to photograph elephants. The largely barren landscape lends itself to my photography style because it is like painting on a blank canvas. In these wide-open empty spaces, it is possible to create powerful imagery where the attention remains on the subject.

Other than visiting Amboseli several times to track down some of Africa’s last remaining Big Tuskers. I have been fascinated by the unique movement of elephant herds in this area. In the dry season, sparse food and water sources result in elephants travelling great distances. Outside the National Park are areas of vast bushland with ideal vegetation for elephants, but there is almost no water at all.

Within the park is a permanent freshwater source, so the elephants must migrate between food and water. To me, encountering a large herd, almost silently marching across the dry lakebed, is as magnificent as witnessing wildebeest and zebra herds crossing the Mara River during the migration.

This frame works for me because of the mind-blowing sky paired with a perfect line of elephants stretching from corner to corner. The spacing between each elephant with various body sizes forms a balance within this almost featureless landscape.

• Available Editions

• Small - 18"x36.98" , Medium - 28"x57.52" , Classic - 38"x78.07"

• Small & Medium - Editions of 8 + 2 Artist Proofs

• Classic - Edition of 6 + 2 Artist Proofs

Artworks are available as strictly limited edition fine art prints through a curated network of leading galleries worldwide and are regularly exhibited at major international art fairs, including Photo London and PAN Amsterdam.

For acquisition enquiries, please complete the contact form to be connected with your nearest representing gallery or visit the Galleries page to see where the work is currently available.

Prices start at $2,500, and our representing galleries will guide you through every stage of the acquisition process, including artwork selection, bespoke framing options and international shipping logistics, ensuring a seamless and professional experience from enquiry to installation.

All of Lewin’s prints are produced to the highest archival standards, ensuring each artwork endures for generations.

He works with Hahnemühle FineArt Baryta paper for its exceptional depth, clarity and tonal range, alongside traditional Ilford Silver Gelatin baryta prints, widely regarded as the gold standard in black-and-white printing. This meticulous process, dating back to the 19th century, carries a proven pedigree and produces unparalleled richness, permanence and archival integrity.

Produced with the precision and artistry of world-class master printers, each print embodies timeless quality and craftsmanship.